5E Jamboree!

Mix-and-Match Green Ronin’s 5e Fantasy Offerings

Green Ronin publishes a lot of games. It figures: We’re gamers, and we like a lot of games! We also publish material for a number of different game systems. While the Adventure Gaming Engine (AGE) System sees a lot of use these days, and is as close as we get to having a “house system,” Green Ronin also supports the d20-based Mutants & Masterminds, the Chronicle System of Sword Chronicle, and standalone systems like Ork! The Roleplaying Game.

Among all of those game systems, Green Ronin also publishes material compatible with, or based on, the Fifth Edition of the World’s Most Popular Roleplaying Game. We have some experience in that area, having worked directly with Wizards of the Coast on the Out of the Abyss campaign and the Sword Coast Adventurer’s Guide sourcebook, and having worked with Matthew Mercer on the Tal’dorei sourcebook for Critical Role.

Our 5e products include The Lost Citadel, Book of the Righteous, the 20th anniversary edition of the Death in Freeport adventure, and The Blue Rose Adventurer’s Guide, bringing the romantic fantasy world of Aldea to 5e. We’ve just finished production on a new 5e edition of The Book of Fiends as well, and wanted to look at some of the ways you can mix-and-match our Fifth Edition offerings and use them in your own games. So, let’s take a look!

Blue Rose Adventurer's Guide for 5EBlue Rose Adventurer’s Guide

The Blue Rose Adventurer’s Guide is primarily a setting book, in the vein of our work on the Sword Coast Adventurer’s Guide. It features material on the world of Aldea, particularly the nation of Aldis, the Sovereignty of the Blue Rose, and its surrounding lands. (You can find out much more about Blue Rose and its setting elsewhere on our website.) The goal of the Blue Rose guide was to introduce the world of Aldea to 5e players and provide an additional, alternative setting, rather than an alternate game system.

That said, the book does contain a wealth of game system material to account for the differences between Aldea and various other 5e fantasy settings. In particular, it offers new character ancestries (and its own take on handling ancestry) for the peoples of Aldea. Each character class has a new subclass suited to the setting, and there are unique backgrounds, specific modifications of the magic rules, magic items, and a Corruption system that reflects the power of Shadow, to name a few.

Even if you don’t use Aldea as a setting for your 5e adventures, the game system portions of the book are easy to import to other settings. The lands and peoples of the world of Blue Rose could also be places for plane-hopping characters to visit, or part of some distant land on the far side of the world where they currently adventure.

Book of FiendsBook of Fiends for 5E

The Book of Fiends is a massive tome of the most vile denizens of the lower planes, not just the familiar demons and devils, but also daemons, qlippoth, Fallen celestials, and more. They range from minor low-level threats to godlike rulers of their own infernal realms and everything in-between. The Book of Fiends is a supplementary catalog of foes for a 5e campaign, especially one focused on fighting the forces of corruption and evil, such as Out of the Abyss, or a campaign like Descent into Avernus where the heroes descend into the lower planes themselves to fight their inhabitants! Who can’t use more fiends as foes?

The Book of Fiends dovetails with our Book of the Righteous in that they share the same basic cosmology. The Book of the Righteous works in conjunction with 5e planar cosmology and mentions the Abyss, Gehenna, Hell, and their various fiendish denizens, while the Book of Fiends details them. So the two books form two halves of the same cosmology for a campaign setting: the mythos and religion of the world and all of the forces of evil aligned against it.

The Book of Fiends connects with Blue Rose’s Aldea: The seven Exarchs, the great daemons of Gehenna, are also known as the Exarchs of Shadow on Aldea. The various daemons can serve as further darkfiends for your Blue Rose games, and you can plunder the dark depths of The Book of Fiends for other foes for your Aldean heroes. Fiends also offers its own Corruption system associated with infernal temptation. Use it in place of the Corruption rules from Blue Rose Adventurer’s Guide, or for a specific kind of corruption associated with the Exarchs and their minions.

The Book of Fiends also comes with a chapter of character options: subclasses, feats, spells, and backgrounds usable in any 5e setting where the forces of evil are abroad. The Blue Rose Adventurer’s Guide specifically points to them as possible options for corrupt and Shadow-aligned characters in that setting.

Book of the Righteous for 5EBook of the Righteous

The Book of the Righteous provides a complete pantheon and cosmology for a 5e fantasy setting, along with numerous interconnected deities, faiths, and religious practices. It’s a fantastic resource to mine for options and inspiration, even if you don’t adopt the entire thing wholesale.

Like Blue Rose Adventurer’s Guide and The Book of Fiends, The Book of the Righteous comes with a hefty rules chapter packed with 5e options: at least one new sub-class for every core character class, a dozen new clerical domains, five new paladin oaths, backgrounds, feats, spells, and magic items. It also has celestial and fey creatures associated with the gods and higher planes. The Blue Rose Adventurer’s Guide notes that many of these game options fit well into the world of Aldea and are quite useful there.

Death in FreeportDeath in Freeport for 5E

The 20th anniversary edition of the adventure Death in Freeport offers a self-contained, low-level 5e adventure set in the independent pirate city of Freeport. Since it is a tiny island nation, Freeport is easy to include in any setting you may wish, or usable as a jumping-off point to any mainland you want the characters to travel towards. Freeport’s temples and churches may be devoted to the pantheon from The Book of the Righteous (that’s deliberately left open for you to decide) and the eldritch horrors lurking in the setting can make good use of material from The Book of Fiends. As The Blue Rose Adventurer’s Guide notes, Freeport could well exist among the Pirate Isles of that setting, bringing all of its unique character along with it.

What’s more, Death in Freeport is not just adventure: It has an appendix with game information on the sinister Serpent People, two new magic items (the staff of defense and the wand of escape), and four new class archetypes: the Valor domain for clerics, the terrifying Buccaneer archetype for fighters, the cunning Alley-Rat archetype for rogues, and the preternatural Serpentkin sorcerous origin. Any of all of these could find use in any 5e campaign.

The Lost CitadelLost Citadel for 5E

The Lost Citadel differs from Green Ronin’s other 5e offerings, which are designed for use with the core rulebooks, whereas Lost Citadel customizes more of the class, background, and magic options to suit the setting, along with adding some new options. Nevertheless, all of these options are compatible with the core 5e rules, so you can import Lost Citadel character options into other campaigns or settings, if you wish. The same is true of the book’s extensive collection of creatures, especially undead, which can certainly inspire new unliving foes for Blue Rose, for example.

What’s more, Lost Citadel offers another system for measuring supernatural corruption (do we sense a theme here?). Called Woe, it deals with the price of magic and supernatural knowledge and of places given over to the powers of death and despair. It would be suitable for use to model the effects of some domains of the foes from The Book of Fiends or places on Blue Rose’s world of Aldea where the power of Shadow has grown deep, indeed.

Press Release: Cthulhu Awakens Kickstarter is Live!

FOR IMMEDIATE RELEASE 02/15/2022

Cthulhu Awakens: On Kickstarter Now

The Cthulhu Awakens RPG Kickstarter is Now Live!

 

Seattle, WA: Green Ronin Publishing is pleased to announce that the Cthulhu Awakens RPG Kickstarter, first revealed last month, launched today and its campaign will be live until March 23. Cthulhu Awakens is a complete roleplaying game where a diverse set of protagonists confront the horrors of the Cthulhu Mythos in the Weird Century, a period from the 1920s until today.

Cthulhu Awakens is Green Ronin’s take on the Mythos. It’s powered by the company’s popular Adventure Game Engine (AGE), a dynamic and easy to learn system whose games include Fantasy AGE, Modern AGE, Blue Rose: The Roleplaying Game of Romantic Fantasy, and the licensed RPGs Dragon Age and The Expanse. Cthulhu Awakens evolves the Modern AGE rules, customizing them for the Cosmic Horror genre, but the game is also substantially compatible with other AGE RPGs.

The Kickstarter offers four editions of Cthulhu Awakens for backers to choose from: Standard Edition, PDF Edition, Special Edition, and Roll20 Edition. The Standard Edition is a 270+ page full color hardback book, with additional material unlockable through stretch goals. The PDF Edition is the same book in digital form. The Special Edition, a Kickstarter exclusive, has a foil-stamped and embossed cloth-bound cover and ribbon bookmark. The Roll20 Edition is optimized for use on the Roll20 virtual tabletop platform, which allows people from across the globe to game together online. Backers who jump in during the first 48 hours of the campaign will receive Issue #0 of the DREADCRAWLS zine for free with their rewards.

Visit https://www.kickstarter.com/projects/greenroninpub/cthulhu-awakens-roleplaying-game to back Cthulhu Awakens! On the Kickstarter page, you can also learn more about the game and see the campaign’s stretch goals and add-ons. Updates over the next month will preview rules, art, and more.

About Green Ronin Publishing

Green Ronin Publishing is a Seattle based company dedicated to the art of great games. Since the year 2000, Green Ronin has been a force in tabletop roleplaying games, publishing such RPGs as Blue Rose, The Expanse, Dragon Age, and Mutants & Masterminds, and winning over 40 awards for excellence. Green Ronin has also worked as a design house for hobby giants Games Workshop and Wizards of the Coast on such titles as Warhammer Fantasy Roleplay (Second Edition) and the Dungeons & Dragons (Fifth Edition) supplements Out of the Abyss and the Sword Coast Adventurer’s Guide.

Running a Shared Universe: Road Maps and Sandboxes

The Atlas of Earth-Prime is a great sandbox to play games in!Hello heroes! I hope the multiverse is treating you well today. As some of you may know, in addition to working on Mutants & Masterminds here at Green Ronin, I run my own streaming network The Untold Stories Project. USP is something I started a couple of years ago with some friends of mine who were interested in showcasing games and voices that don’t get as much attention as something like Fire Lizards and Renovated Caves. Since 2020 we have played a ton of interesting games but one of our main stays is M&M. Shocking, I know.

In February of 2021 we began our playthrough of the Netherwar story arc which is coming to an exciting conclusion in the next few weeks. (I know it only has six modules but somehow, I overwrote that into a year’s worth of mayhem and mischief.) This was meant to be a stand-alone foray into the Earth-Prime universe, but we decided to try something bold. One of our other games wrapped up and one of our GMs said he wanted to run Emerald City Knights on the channel. We decided it would be interesting to pull a MCU and run Emerald City Knights in the same continuity as our Netherwar game. Hence the USP Earth-Prime Tabletop Universe—USPEPTTU for not as short as it should be— was born. We have had one mega crossover event with 10 PCs and 1 GM and are gearing up to release a Starhaven game in the same continuity later this year.

It’s been an interesting experiment to say the least, and not unique to USP. The Freedom City Discord server has another Earth-Prime shared experience. It makes sense that this happens in superhero gaming groups. The superhero genre is rife with team ups and shared consequences, so it’s natural that it should reflect in the gaming sphere. This got me thinking about some advice that I can give to anyone else looking to collaborate with another GM. I call this technique the Road Maps and Sandboxes method.

the Netherwar campaign is a great opportunity for a shared universe

Road Maps

I am firm believer that the MCU works as well as it does because they had a strong central vision guiding where the story was going to go. They built a timeline of events and for the most part have stuck to that timeline. If you want to work with other creators in a shared space, you need to outline heavily. This came up in our USPEPTTU planning when I decided to do Starhaven after Netherwar, because there is a crucial plot point in Emerald City Knights that leads to the reason Starhaven is needed at all. The other GM and I sat down and worked out the plot points that needed to be modified to make Starhaven’s creation make sense. We also use our interconnected stories to help one another. A new player is joining our Emerald City Knights campaign and that character’s backstory is tied into what is happening right now in the climax of Netherwar. It’s pretty cool!

We have a couple of resources in play that help us build our stories and decide when those stories are going to intersect. We have a shared Google Sheet with all of the canon Earth-Prime villains. This Sheet lists if they’ve appeared in other games, their current status—at large, incarcerated, dead—and their home base. Our GMs update it as needed. I also try to keep the other GMs apprised of the story arcs I have planned. Finally, we write up synopses of our various story arcs for easy reference, rather than forcing anyone to rewatch 300 hours of video for precious context. Those documents are available to the public (www.untoldstoriesproject.com) on our website for similar reasons.

Sandboxes

There’s an unspoken statement in the USPEPTTU that we try to stay in our lanes. As the Netherwar and Starhaven GM, I do my level best to keep my action out of Emerald City. The Other GM as such sticks to the City of Destiny and the surrounding environs. We started doing this after our first crossover episode when I had the following Netherwar story take place in Emerald City. I felt like I was walking on eggshells trying to ensure nothing too devastating happened in town while our Freedom League Dark was there. I still wound up blowing up a penthouse, but you know what they say about eggs and omelets. After that episode I made sure not to set a story in that GM’s sandbox if I could avoid it. Partitioning out the setting goes a long way to establishing freedom for the GMs involved in your project, and ensures people aren’t scrambling to patch things up in each game from week to week. If one person is telling a story of the Furion resistance to Omega in the Terminus, try not to set adventures in the Terminus for the other groups of heroes.

Sit down with the other GMs you’re working with and share your ideas with one another. You can divide the universe in whatever way makes sense. This can be as large as whole alternate dimension down to a neighborhood of Freedom City. Say one GM wants to do a street-level vigilante game in Freedom City’s Southside, another GM working with the Freedom League should make sure the Freedom League is dealing with other parts of the city—or even other parts of the galaxy. Anytime you want to cross the partition, speak with the other GMs, and see if you can work together to do a crossover or find a way to spread the action between the two games.

I’ll leave you to chew on that for now. I’m going to share some more insights of running a shared universe in the coming months. As it stands, I’m still learning as I go, but I do believe it is a worthwhile experience for you and your friends. If you want to see the USPEPTTU in action, you can catch us live On Twitch Mondays and Tuesdays from 7pm EST-10pm EST. Thank you for reading and talk to you soon!

Synopsis Based One Shot Design

A great resource for an adventure synopsisHello heroes! Hope you’re having a great day out there in gamer land. As you may know, event submission is open for a few major conventions happening later this year, so I imagine quite a few of you are starting to put together the wonderful games you’re going to run this summer. I got my start in this business running games at Origins Game Fair in Columbus, so this time of year is near and dear to my heart. All year long I compile a list of characters or topics I want to write an adventure about. I love the excitement of narrowing down those ideas to create the perfect playlist. I enjoy coming up with a punchy title, deciding how many players I want to run for, and coming up with that sweet 1-2 sentence synopsis about the game. This synopsis is required at most conventions. It’s the snippet they’ll use to describe the scenario to the public in the hopes of getting people to buy tickets to your game. What you might not know, is that it is also a valuable tool you can use in adventure design.

I might be weird in this instance—as opposed to all the other times I’ve been weird—but I usually create my synopsis long before I put together the adventure. Sometimes, it’s all the adventure creation I manage to get to before the convention arrives, but we’re not here to talk about my procrastination habits. This synopsis is my favorite place to begin because it forces me to ignore any extra information and cut to the heart of the story I want to present. I tend to think of it as starting small and building out. Sort of like designing a village in your game world before moving on to building the epic history of your cosmos.

Knowing the core action of the story gives you as the writer a perfect place to begin your planning. You should have an idea of who the major players are going to be, what the driving action is going to be, and what research you’ll have to do to plan your scenes. The synopsis doesn’t have to give away the whole story, in fact I find less is more when it comes to pulling inspiration from it. I try to limit myself to 30 words or less.

Hades can be found in Freedom City 3rd edition

I’ll give you an example of what this process looks like to me. My most recent actual play for Green Ronin—link here in case you missed it— was titled Freedom League: All in the Family. I knew before I wrote the synopsis that I wanted to tell an unconventional story with the Greek gods set in Earth-Prime, so I started thinking of who the main NPCs were going to be. I decided to go sort of stereotypical. The synopsis for this wound up being: “All isn’t as it seems when Zeus requests the Freedom League’s assistance in foiling his brother’s latest scheme to take over Earth-Prime.” I kept it short and sweet, knowing that it would be the springboard to a larger outline process.

Hades is a known villain in Earth-Prime, and this pantheon is known for their family melodrama so I figured it would be a knockout story. I kept the synopsis simple, sharing to the players that Hades was going to be the villain and Zeus was going to be their insertion point to the story. With the synopsis in hand, I set about researching various Greek myths. They were going to be the “antagonists” for the story, not necessarily villains but the thing standing between the heroes and a saved Freedom City. I looked at Zeus and Hades’ immediate circles and started brainstorming where some of them would be lurking in the modern world. I built a through line from Zeus to Hera to Hephaestus to Hera to Charon to Hades, and then built scenes around those characters.

Starting with the synopsis narrowed the range of possibilities to make selection easier. It helps you find the beginning of a story, especially in a genre of infinite possibilities like superhero stories. I hope the next time you sit down to design a new adventure that you consider starting with a synopsis or a title. Happy writing!