Fantasy AGE Encounters: Children’s Crusade (PDF)

Fantasy AGE Encounters: Children's Crusade (PDF)

Fantasy AGE Encounters: Children’s Crusade (PDF)

We are pleased to present the first entry in a new series of monthly PDFs for the Fantasy AGE RPG. Fantasy AGE Encounters are short “side quests” that can be used as is or expanded into longer adventures.

In Children’s Crusade, our heroes come across a group of children beset by bandits. But bandits turn out to be the least of their worries, and it’s difficult to know if all is as it seems…

Children’s Crusade is a Fantasy AGE RPG adventure for heroes of levels 1-4. It can be yours for just $2.95!

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Ronin Round Table: People in Gaming

Nicole LindroosI have been in the tabletop game business since 1989. In that time I have seen a lot of changes to the way business is conducted and who is conducting it. I can’t count the number of “Women in Gaming” panels I have been invited to speak on over the years.

Recently, I was in Las Vegas at the GAMA Trade Show. GAMA is the industry organization for the tabletop game business. Publishers, game distributors, and game retailers get together to talk about business-related issues, show off new and upcoming games, and to make mutually beneficial connections. I was asked to sit on a panel for the manufacturing track of programming addressing “Gender Issues in Gaming.” I truly didn’t think anything of it, I’ve done version of these panels for years now. In fact, the title not just defaulting to “Women in…” but hitting a slightly different note with “Gender Issues in…” made the topic a bit more interesting to me.

I was taken by surprise once I got to Las Vegas by the varying and strong opinions on the issue I heard from other women. More than one of my female peers expressed doubt that “Women in Gaming” panels should even be part of a modern seminar track. Other women I talked to were fatigued with the “back in the old days, here’s how it used to be when we started” history of such panels and wanted to cut to the chase: what do we do NOW, what do we DO instead of talking about women as abstracts (or worse handing out simplistic advice like “Stores, make sure your bathrooms are clean, women like that.”) Another faction of women strongly agitated for more “Women in Gaming” panels because they looked around at the seminars and noted, rightly, that women in the business are seriously underrepresented even among their well-intentioned peers. (An example from the program book from this very trade show invited attendees to a cocktail reception where they could “meet the designers” and then listed seven white guys and one woman.) Women in Gaming, what does it even mean anymore? It did not escape my notice that despite the panel being publicized with the “Gender Issues…” title, it was very much still seen as “the Women in Gaming panel” for good or ill.

I generally believe that people in the game industry are trying to do the right thing and trying to be better about how they approach issues of diversity. Occasionally there are situations where the definition of “creator” or “designer” is very narrowly applied, for example the idea that there aren’t a lot of women who are “design” games because the definition of designer in that person’s mind is one who creates a unique game or stand-alone product, particularly rules sets. Many women designers who do work on supplements and expansions, in the roleplaying game segment particularly, would argue with that definition and note that they do, in fact, create game materials even if they’re not reinventing the wheel and bringing out new stand-alone games. I have a whole, long rant on the issue of socialization and the differences between male and female creative output in gaming in particular but this is a different essay so you’ll have to wait for that one.

Back to the point, I think where we stand on the issue of women and their places in the games business is largely positive. Even so, there are inadvertent slights that undermine a lot of the good and sincere efforts made at inclusion, such as the unintended message being sent by the published list from the trade show program. It’s come up for me personally a few times in a row in recent weeks: while on the JoCo Cruise showing off our Love2Hate game, the one other seminar we had was scheduled opposite the demo event which meant that I could not attend the Titansgrave panel with Pramas and Wil Wheaton despite having been involved with the project from the start. Alone even that wouldn’t have been so bad but I was also not listed as being part of the company in the materials… as far as people knew from reading the programs, Green Ronin was a gaming event sponsor and Chris alone was the rep. As a company co-owner and General Manager, I would have appreciated the acknowledgement even as I recognized that it wasn’t any sort of purposeful slight. It was an honest oversight. After our return from JoCo, another convention that I’m attending started announcing their guests and I went looking for my listing in order to promote my attendance, only to find that I was not listed on the website…but once again Chris was. In this case, the guests weren’t being announced all at once but in staggered groups over the course of weeks, which is a perfectly common and valid way to spread out promotion in the lead up to an event. Hot on the heels of being overlooked in the JoCo materials, I did find it stung a bit more than usual to have Pramas listed as a guest for weeks ahead of me.

Just using my own recent experiences as fodder for this essay, I feel it’s important to note that no one in these scenarios is undertaking any effort to keep me from the table. In fact, these bumps came up precisely because I was invited to participate, the big gestures, the important moves forward are there: hey, demo your game at our event; please come be a guest at our convention; please sit on our panel and share your experience with us. These other issues are more about fine tuning: hey maybe you should think about how unbalanced your list of participants seems, I don’t think that’s the message you intend to send. I recently saw a reference to “shallow diversity” in the game business that seemed quite a bit more concerned about such small imperfections amidst the larger effort and I personally think that is the wrong way to approach things. I’d rather tackle the bigger things first.

Ramping up for convention season and readying Green Ronin for our big summer releases, I hope we’re doing a decent job of hitting the “big issues” on our end. I’m certainly going to continue to make the effort. I’ll be appearing at several conventions this year where I hope people can get to know me a bit and maybe remember that I’m part of this company, too. I’ll be running a Blue Rose game at the Contessa event at GenCon, where they’re providing a venue for games run by women for women. I’ll be proposing some panels for this year’s Geek Girl Con that I hope will touch on some of the things I’d hoped to say at the GAMA panel. I’ll once again be participating as an advisor on the GenCon Industry Insiders Featured Presenters programming and I encourage my colleagues to put themselves forward for inclusion as well. Over the course of these efforts, I will definitely make missteps and will work through some number of inadvertent slights because that’s the nature of life as a human being interacting with other imperfect human beings. What I won’t do is participate in any further generic “Women in Gaming” seminars or panels: the topic is too broad, too fractious, and it just doesn’t interest me to be a part of that anymore. We can do better.

Ronin Round Table: Conversion Experience

PendantImagePart of the experience of creating the forthcoming new edition of Blue Rose, following our successful Kickstarter, is the process of taking the original rules of the game, which were the first iteration of what became the True20 System and converting them over to the Fantasy AGE System. Game system certainly does matter when it comes to game experience, so we wanted to make sure Blue Rose both took full advantage of the best qualities of the AGE System and that the rules adapted, as needed, to fit the world of Aldea and the romantic fantasy style of Blue Rose.

Some things were easy: Fantasy AGE character creation is based off of three classes: Mage, Rogue, and Warrior. Blue Rose character creation was also based off three classes: Adept, Expert, and Warrior. The three mapped almost exactly. On the other hand, Blue Rose adepts are not quite Fantasy AGE mages. Indeed, Blue Rose needed a whole new system of arcana to reflect the more psychic-based style of magic found in the setting. Similarly, the expert class needed additional breadth to handle many more socially-focused characters in Blue Rose, in addition to the sneaks, scouts, and swashbucklers.

Likewise, Blue Rose called for new races and backgrounds, since the world of Aldea doesn’t feature the same fantasy races found in Fantasy AGE, and its cultures have different backgrounds. Whereas Fantasy AGE devoted a fair amount of space to detailing the various kinds of equipment and gear adventures outfit themselves with, Blue Rose doesn’t focus so much on such things, so we needed to condense and simplify the rules for weapons, armor, and miscellaneous gear of all kinds.

The original edition of the game was heavily driven by Feats, individual special abilities characters acquired both at creation and as they advanced. Fantasy AGE, on the other hand, is largely driven by Talent, three-tiered sets of abilities which improve as characters advance, similar to many of the feat-chains or advancement paths set forth in the Blue Rose Companion. We had to consider in many cases whether or not a particular feat needed to become part of a Talent (or get expanded out into an entire Talent unto itself), become a Focus, or perhaps a class power or even arcanum (as most of the supernatural feats became).

The core of the game remains very much the same, with the same abilities, the use of focuses (although there are some new ones associated with the setting), and the use of tests and the stunts that may result from them. There are some new stunts, naturally, and a new way of generating stunt points from the intensity of characters’ relationships, perfect for that needed-right-now stunt to save a hero’s beloved, or strike down a hated enemy. There are also new persona mechanics to determine a character’s Calling as well as their Destiny and their Fate, their “highest” and “lowest” expressions of their nature, the good and bad impulses that exist within us all that help to drive characters.

One of the best results of the conversion experience is the opportunity for players of Fantasy AGE to take and adapt what has been built for Blue Rose and fold it back into their own games. Even if you’re not playing in the world of Aldea, there’s nothing saying you can’t use the new backgrounds, talents, specializations, arcana, or game mechanics like relationships or persona. They make Blue Rose a big Fantasy AGE add-on sourcebook unto itself!

We’re looking forward to getting Blue Rose into production and into your hands this summer so you can see for yourselves the results of our efforts and either return to the world of Aldea or visit anew to create your own adventures.

Ronin Round Table: The Art of Art Direction

beastfolk

By Hal Mangold

Today’s Ronin Round Table draws back the curtain on some of the behind-the-scenes parts of creating our products. Art is an essential part of the look and feel of most games, and it’s the role of the art director (that’s me) to make sure all that art gets created. To give you all a little insight into the job, we’re going to answer a few common questions about what being an art director is all about.  

What does the art director do?

As the art director, my responsibility is to make sure that all of the art that goes into Green Ronin’s games and publications is up to the standard we’ve tried to set over the years. I select the artists, assign and approve the art, and herd cats to make sure it all comes into our hands by the deadline necessary for publication.  

How does the art direction process work?

It all starts for me with scouting out the artists who have the right style to fit the project. Games like Mutants & Masterminds have a radically different art style than Dragon Age or A Song of Ice & Fire. I contact the artists I want on the project, see if they are available during the timeframe I need them, and get them contracted if they’re interested in working on the project. Ideally, this is done about 4-5 months ahead of time, but circumstances often compress this a bit.  

The art order or brief comes next. This is a description or set of descriptions for the piece of art needed for the product. These can be written either by me or, more often, by the developer of the product, with my role being more to tweak or jazz up those basic descriptions. Sometimes the descriptions are general, sometimes really specific, and different artists work well with each type. In general, I try to art direct with a light touch when I can. I’m hiring the artist for their talents and inspiration, after all. I try to give them as much room to improvise as I can.   

The next step is to take that art order transfer it to the artist or artists. For a cover piece, this part is simple. For interior work with multiple artists, it’s a bit more involved of a process. The art assignments get broken up between the artists, taking into consideration both spreading the artists throughout the book for a unified look, and assigning the right pieces to the right artists based on their relative strengths.

Next the artists submit their sketches for the assignments. I review them to make sure the composition is as strong as it should be, that the basic look is right, that any characters depicted have the correct look, and so on. If revised sketches are needed, the artist submits them, and once everyone is happy with where the piece are going, the artist takes the piece to its final state.

If the project is for a licensed property, there’s one extra step: approval by the licensor. Most licensors require us to submit all of the original art we commission to them so they can make sure it depicts their world and characters properly. Some licensors want to see sketches, and some just care about the final result.

There was a time when there was another step: the artists physically shipping their work to us for scanning. Fortunately almost all artists today (even those working in non-digital mediums) submit digital files. Considering the international nature of the artists we work with, that’s especially fortunate today, with international shipping costs being what they are.  

Once all the art is approved, the art director gives it a look to ensure it’s in the proper color and file format, and that it will reproduce properly when actually printed. After that, the image file is handed off to layout for insertion into the product. The art director’s work is done.

Where do you find artists?

Anywhere and everywhere! The Internet is a fantastic source, of course. Sites like DeviantArt, Artstation and DrawCrowd give artists a place to put their portfolios, and I browse around on them quite often. Sites like Tumblr and Pinterest are also fantastic art resources, both for finding new artists, and building “mood boards” for how I want a particular project to look. It sometimes takes a little internet detective work to find out who created an image found that way, however. Not everyone is great about tagging sources for what they post.

Conventions are another great source for artists. Whether it’s a comic, gaming, anime or just overall sci-fi show, I always keep an eye out for creators whose style might work with one of our games. If we’re actually displaying at a show (like GenCon, for instance), portfolio reviews are another great source for me.

And finally, email submissions come in all the time, and have provided me with some great people I might not have noticed before.

Can I submit my art to Green Ronin?

Absolutely! Anyone is welcome to submit their work (or a link to an online portfolio, preferably), to art@greenronin.com.

Ronin Round Table: Blue Rose Development

Blue Rose cover by Stephanie Pui-Mun Law

Blue Rose cover by Stephanie Pui-Mun Law

Welcome! In this week’s Ronin Round Table, we’re taking a look at the development of the new edition of Blue Rose Fantasy Roleplaying following last year’s successful Kickstarter, along with a preview of some of the ways Blue Rose uses and modifies material from the AGE (Adventure Game Engine) System rules found in Fantasy AGE.

Right now, Blue Rose is poised between the development and editing stages of the process: draft text is in, with AGE System Developer Jack Norris and I going over our respective sections of the book: Jack primarily on the game system material and me primarily on the setting and story material, although there’s some crossover on both our parts. The drafts we have include all of the stretch goals funded by the Kickstarter and the hero and villain submissions by our Kickstarter backers for inclusion in the world of Aldea.

We have Lynne Hardy on-board as editor (or “benevolent editorial tyrant” as we have chosen to call it), empowered to smooth the sometimes rough road of our text so you can enjoy your journey through Aldea. She’s working with the setting material that makes up the first third or so of the book, detailing the world, it’s history, mythology, and the current state of its nations and peoples, roughly a decade since the time described in the original edition of Blue Rose.

There have been some changes! Queen Jaellin of Aldis is married (and not all are in favor of her choice of consort) and has won a stunning victory over the dark kingdom of Kern. Aldis is regaining its equilibrium following that recent conflict, and hopes are high for renewed peace and prosperity, but there are still many challenges for the Sovereign’s Finest throughout the land. The forces of Shadow do not rest and their reach is wide and deep. The nation is still very much in need of heroes to aid the cause of the Light.

Preview: Personas

We also have a special preview of the Blue Rose material in the works (hopefully the first of several such previews).

In this case, it is a draft of the Persona section of the game rules, discussing the qualitative traits of characters: their good and bad qualities (embodied in their Destiny and Fate), their goals and overarching place in the world, the looming specter of corruption and its effects on the spirit, and—most especially—their relationships, the deep emotional bonds that define the characters and help to drive them, not only in the context of the story, but providing clear game system effects when the players focus on those relationships and how they motivate their characters.

Download the preview PDF and take a look! Keep in mind that this is fairly raw text, still going through the development process. Nonetheless, we think if offers a pretty good look at where we’re going. If you have feedback for us, visit the Fantasy AGE forum on Roninarmy.com and let us know!

 

 

Ronin Round Table: We Could Be Heroes…

If just for one game.

2523On January 10th, 2016 David Robert Jones, known to the world as David Bowie, passed away after a private and protracted battle with cancer. He was a singer, songwriter, musician, actor, and many many more things and his influence was felt far and wide.

He was not, to my knowledge, a gamer.

But he was totally a role player.

From his personas of Ziggy Stardust to the Thin White Duke and various acting roles and constant innovation and re-invention, Bowie was great at making and playing characters. He communicated concepts and ideas not just with evocative music and lyrics, but with performance. Even his battle with cancer is depicted metaphorically through his last album, putting him it a category of unique works that range from Warren Zevon’s The Wind to John Wayne’s The Shootist.

Read more

Ronin Round Table: AGE Encounters PDFs

Fantasy AGE

Fantasy AGE

Hey folks, Jack here. I wanted to take a bit of time and talk about a series of upcoming PDFs for Fantasy AGE that be coming in the next few months. These are a series of short encounter-based scenarios that GMs can use to jumpstart a session or use to fill in between major adventures. They aren’t full adventures, but most can easily lead to them.

Originally this product was envisioned for Dragon Age. However, the realities of needing to send Dragon Age content to approvals with Bioware makes an even semi­regular PDF series very difficult. So instead, we’re taking the basic idea and doing it in Fantasy AGE, where the approvals step is absent from design and production.

Each encounter is designed to give GMs a set­up section to get the PCs involved, some optional or random occurrences that can make each longer, shorter, more dangerous, and so forth. Also included are suggestions of how this single encounter can spin off into a large part of a campaign. Each PDF usually details an initial encounter and then one or two logical follow up encounters that will resolve the problems or challenge presented.

So maybe while traveling through a war­-torn region, the PCs come across a band of refugee children pursued by a cult of religious extremists. The cult wants the refugees, believing them dangerous heretics possessed by dark powers. The children were being smuggled out of the war zone, but their protectors have been slain. What do the PCs do? Do they transport the children to safety? Find a place that will take them in? Turn them in for a reward? What random occurrences may happen while the kids are in their charge? These are the sorts of scenarios this series covers.

When possible, monsters and other items from Fantasy AGE are used, keeping these products concise and inexpensive. They’re meant to be affordable supplementary material for GMs to use as needed and we wanted to keep to that idea as much as possible. However, all of them have one or two “new cool things” that the encounter required. This might be a statblock for an enemy or monster, a magic item, or possibly even a new spell or ability.

The first three Encounters are currently in production (two edited and with layout, one in editing). I have two or three more already written which just need some small changes before they move down the line. So while we’re not ready to announce the exact release date for this series yet (or even commit to its exact title), they are pretty far along and the first will be arriving shortly.

Also, we aren’t committing to a particular number of encounters—we’d like to see how it does and make adjustments as necessary. We’d like it to be a popular series that grows into a sizable library of releases. However, first we just want to get some new content out to all the fine folks who have already picked up and are enjoying Fantasy AGE.

Ronin Round Table: The Care and Feeding of Monster Design

MedusaHeya folks, Jack here. I wanted to take a break from working on AGE and Dragon AGE content to talk to you a bit about making your own content for the Adventure Game Engine. Specifically, let’s talk about making monsters.

Since the recent launch of Fantasy AGE and Titansgrave: Ashes of Valkana, I get asked a lot of questions, from “When will they be in stores,” to “What the hell is Interlligence?!” People have a lot of questions about these books.

However, by far one of the most common questions I get asked is “so, any advice on making our own monsters?” Which makes sense. While both Titansgrave and Fantasy AGE contain some cool beasties, there’s plenty of room for more monsters, demons, and beasties. So for today’s Ronin Round Table, I’d like to talk a bit about some things to consider when building your own monsters.

Generally, it’s easy to make your own monsters in Fantasy AGE. Come up with a concept or borrow one from your favorite stories, myths, legends, books, etc… Assign statistics that match up to the rough idea of what your monster can do and then tailor it so that you’re not making it too tough or too easy on your PCs when they face such threats. Speaking of…

You might find that despite having a solid idea and being sure everything will work out, you accidentally made a monster that’s far too strong or weak for the PCs. There are several ways to do this, but some common mistakes to avoid are:

Making monsters who hit all the time or not at all. A really high Accuracy or Fighting is going to mean even very agile and defensive PCs will get nailed a lot. Remember the average dice roll with 3d6 is 11 and starting PCs usually have between 10 and 15 defense. Also, these numbers are slow to increase, so even more experienced PCs won’t become so much harder to hit without serious Ability increases, special items, and other advancements. So you don’t need to give most monsters Fighting or Accuracy of 5 or higher to hit often, and those with scores of 7 or above will hit very often, especially with appropriate focuses. Even a Fighting or Accuracy 1 monster with a focus for their main attack will hit a Defense 14 PC about half the time. Conversely, making monsters with very low Fighting and Accuracy can also be a problem, though it’s admittedly harder to do.

However, if you’re giving a monster -2 Accuracy or some similarly low Ability, consider if that will make them miss often enough they seem more like a joke than a threat.

Making monsters who do ridiculous damage or almost nothing. Sometimes you want a big scary creature who does tons of damage. A giant, dragon, and other big scary monsters should be scary and hit very hard. On the other hand, a swarm of rats might do only a bit of damage and serve to weaken PCs without seriously endangering their lives. Also, remember that damage is a combination of both the dice rolled and the Ability added in and how often you hit affects the damage monsters will do over time.

So a high Accuracy “minor” monster with a 1d6+3 damage attack and 4 Strength will being doing at least 8 damage every hit (1 on the die, plus 3 and then 4 more for Strength). That might be just want you want. Or you might find you accidentally made a minor creature than can kill a player’s unarmored low-defense mage far too quickly for what you had in mind. Likewise, a big scary beast with 3d6 damage and Strength 9 is likely really nasty (doing around 20 damage a hit). Just make sure that’s the effect you want for your monsters.

Ignoring or Overdoing Armor. Armor is both damage mitigating and a pacing mechanism. It often won’t stop a PC or monster from ever taking damage, but it increases the time it takes to damage and defeat a target in combat. So if you give a monster no or very low armor, you’re opening it up to every hit, no matter how small. This might be fine, but it means that anyone who can survive the creature’s attacks and damage can take it down reliably. This might not be what you want for certain monsters. On the other hand, very high armor can get frustrating. It might be tempting to give a heavily armored creature 10 armor rating (or even higher) but realize that without the right stunts or very high damage you’re setting up combats to be many rounds of “I hit and…nothing.”

Not Balancing Health with Other Factors. High defense or armor can make a monster a challenging foe. If combined with really high health, it can make them annoying. On the other hand, too little Health creates “paper tigers.” Again, if intended? That’s cool, but realize that many players expect to only encounter easily dispatched or incredibly tough monsters rarely and at specific times appropriate to the campaign. If your Lizardman lieutenant in a moderately difficult encounter has 150 health and Armor Rating 8 and Defense 17? Your PCs will get bored, frustrated, or discouraged long before they defeat this “mid boss” encounter.

Forgetting Powers and Special Abilities or Overdoing Them. A few cool special abilities, powers, and unique stunts goes a long way. Too many and you risk bogging down encounters. But having none of them makes monsters just collections of basic attacks and statistics. Also, don’t be shy about converting or borrowing powers from existing creatures. If you want a horde of dog-sized flesh-eating beetles to assault your PCs? Adapting Swarm Tactics from the Walking Dead entry in the Fantasy AGE Bestiary will work well and save you design time.

Ignoring the Utility of Reskinning. Sometimes a monster is just an existing one with minor changes and a new look. This isn’t “cheating”; it’s expediency. A terrifying battle-beast created by an evil sorcerer might just be a Demon Soldier with Wings, Blending, or other special abilities already detailed in the Bestiary chapter of Fantasy AGE. A flesh-eating giant “deep one” style humanoid might just be an Ogre with Aquatic and perhaps Bite and Claw attacks adapted from the Manticore entry. These extra abilities will make monsters tougher and you’ll want to consider than when balancing encounters, but it makes it fairly easy to come up with terrifying new threats for PCs to face in a relatively short time.

Also in general, it’s usually better to make weaker monsters than overpowering ones. If a monster is too weak in an encounter? Simply increase it the next time a similar creature is encountered and if anyone wonders, it was a young, inexperienced, or immature monster they faced before—this is the real deal. That’s not even a lie, as the first attempt was not as refined or evolved in many cases. It’s okay if the first demon bear-thing your PCs fight turns out to be a juvenile version of a much scarier threat. In fact, this can allow monsters to grow and evolve alongside your PCs as the campaign progresses.

So those are some of the basics. We’ll be presenting new monsters in the future, but we realize many GMs want to start hacking away at their basic Bestiary entries in the meantime. Hopefully this discussion will help them do exactly that.

Ronin Round Table: Green Ronin at Gen Con 2015

Titansgrave​ is coming to Gen Con! Make sure to login to your Gen Con account and look for SEM1582558 to reserve your spot! Presented by Green Ronin Publishing and Geek and Sundry

Titansgrave​ is coming to Gen Con! Make sure to login to your Gen Con account and look for SEM1582558 to reserve your spot! Presented by Green Ronin Publishing and Geek and Sundry.

 

This year is going to be an exceptionally strange and exciting time for us at Gen Con. Not only is Team Ronin headed out in force, but we’re sharing space with Geek & Sundry, highlighting Fantasy Age and Titansgrave: The Ashes of Valkana! We’re so excited to have such great games for Gen Con.

Before I get into the fun things happening, I want to kindly let you know what our Customer Service & Sales responses will be slow, as we’ll be dependent on whatever internet we can find while traveling and while we’re all working the show. Online orders for in-stock items (or PDFs of course) will continue to go out on the usual schedule.

For those of you lucky enough to be attending Gen Con, stop on by and say hello at Booth #1509! We’ll be running demos of Walk the Plank, Love 2 Hate, Icons Superpowered Roleplaying, Dragon Age, A Song of Ice and Fire Roleplaying, Mutants & Masterminds, Ork!, and of course, Fantasy Age and Titansgrave: The Ashes of Valkana. Geek & Sundry will be featuring a photo booth, along with some great merchandise and surprises!

We also have volunteers running games at Gen Con, and we have some Seminars you don’t want to miss. If you didn’t get into a game, be sure to bring Generic Tickets to see if a spot opens up! There are quite a few sessions of games run by various GMs & Gaming Groups, and we have a list of the officially submitted games run by myself or our Freebooter Volunteer GMs! For the Seminars, there are currently spaces, but you’ll definitely need to pick up free tickets to attend!

Thursday:

  • RPG1575877 Blood in the Streets – DC Adventures/Mutants & Masterminds
  • RPG1575473 An Arl’s Ransom – Dragon Age RPG (at ConTessa!)
  • RPG1573267 Hell Comes to Squishy Man Town! – Ork! 2.0 The Roleplaying Game
  • RPG1576447 Fate in Freeport; The 1000 Year Storm – Fate System
  • RPG1575933 Shadows of Tanglewood – Blue Rose/True 20
  • RPG1576439 Titansgrave: The Rust Wastes – Fantasy Age
  • RPG1576440 Titansgrave: The Rust Wastes – Fantasy Age
  • SEM1578318 News & Updates on Green Ronin Publishing’s AGE System

Friday:

  • RPG1575878 Blood in the Streets – DC Adventures/Mutants & Masterminds
  • RPG1573275 Hell Comes to Squishy Man Town! – Ork! 2.0 The Roleplaying Game
  • RPG1576446 The Truth of the Fifth Blight – Dragon Age RPG
  • RPG1576441 Titansgrave: The Rust Wastes – Fantasy Age
  • RPG1576442 Titansgrave: The Rust Wastes – Fantasy Age
  • RPG1578320 Titansgrave: The Rust Wastes – Fantasy Age
  • SEM1578319 What’s New With Green Ronin Publishing!
  • SEM1582558 Titansgrave Q&A with Wil!

Saturday:

  • RPG1575905 Operation: Zandia – DC Adventures/Mutants & Masterminds
  • RPG1573282 Hell Comes to Squishy Man – Town!Ork! 2.0
  • RPG1575934 Shadows of Tanglewood – Blue Rose/True 20
  • RPG1576443 Titansgrave: The Rust Wastes – Fantasy Age
  • RPG1576445 Titansgrave: The Rust Wastes – Fantasy Age
  • RPG1578321 Titansgrave: The Rust Wastes – Fantasy Age

Sunday:

  • RPG1575906 Operation: Zandia – DC Adventures/Mutants & Masterminds

Thank you for your support, and we hope to see you at Gen Con!

Blue Rose Kickstarter and Dragon Age Pre-Order Both Ending

Blue Rose RPG

Blue Rose on Kickstarter: Last Chance!

If you have been waiting to back Blue Rose: The RPG of Romantic Fantasy on Kickstarter, you’re almost out of time. We’ve been knocking down stretch goals left and right, and there are only about six hours left as of this post. The next stretch goal, unlocked at $82,500, is a second side on the poster map, which we really hope we get to do.

Please back Blue Rose while you can. (And thank you so much if you already did!)

In other time-sensitive news, on Tuesday at Midnight (the very end of day on Tuesday, Seattle Time) the Dragon Age RPG Core Rulebook pre-order deal will end.

Note: After a very inconveniently-timed technical issue, the pre-order deals in our store (pre-order selected books, get a deal on the PDF version) are working again. We are sorry about the problems. If you pre-ordered and didn’t get the deal please write custserv@greenronin.com to report the problem. If you have already done so, we will get you sorted out as soon as we can. Thanks for your patience!