Through Tuesday, March 13th, you can get a terrific deal on Dragon Age RPG and Fantasy AGE RPG PDFs at Bundle of Holding. For just $9.95 you can get the Starter Collection, but you might as well meet or exceed the threshold (level up) price of (currently) just $24.72, and unlock $75 more worth of AGE System PDFs. Even better, 10% of your payment (after payment gateway fees) goes to the Maria Fund, a charity “with a mission to support frontline efforts to fulfill immediate relief needs and to organize for an equitable Puerto Rico over the long term.”
We are pleased to let you know that you can now pre-order the Fantasy AGE Companion in our Green Ronin Online Store, and when you add the pre-order to your cart, you’ll be offered the PDF version for just $5, for immediate download. (Please make sure to click “Add To Cart” on the popup/overlay once you add the pre-order to your cart.)
The Fantasy AGE Companion provides a plethora of new rules and play options for your Fantasy AGE roleplaying game campaign. This book expands upon the core Fantasy AGE rules and provides alternative game systems so that you can build rules and characters which fit any setting and genre you desire.
One of the new elements in Modern AGE is Drive, a trait which sets your character’s emotional motivation. You pick Drive at character creation, where it provides a small capstone benefit. If you use the Conviction rules (you’ll recognize these from Blue Rose: The AGE RPG of Romantic Fantasy, though they’re optional in Modern AGE) Drive also influences how it works.
But I’ll let you in on a secret: The best thing about Drive isn’t mechanical. It’s the principle of the thing.
I think virtually everyone has played a game where getting the characters involved in the story is a challenge. Roleplaying games have taken several stabs at pushing characters to act. The first tactic is no tactic at all. The game sort of assumes the GM’s job to convince the characters unfolding events are worth their time. When I was playing games as a teenager, this was virtually the only method. Combined with teenage defiance, this led to a lot of glaring and nonsense until everyone settled down. Another tactic is to weave characters into the setting, with responsibilities and problems which force them to get things done. More recent games have suggested ways to signal the GM about a thing your character might go for due to an obsession, goal or personality trait. This is a more focused version of the first, GM-as-salesperson method. Then we have background-driven motivations, ranging in length from one-liners to long backstories which are supposed to kick characters into action.
Drive is similar to all of these but isn’t quite the same. It’s a lot like “alignment” in some ways, and it absolutely is a personality trait, but its function is more than a description of the character’s psyche. Now when you get the book, this will probably read as overselling it, since Drive is not a mechanic designed to dazzle with innovation, and in nuts-and-bolts fashion, is fairly conventional. Here’s a Drive from the upcoming Modern AGE Basic Rulebook. It’ll look totally familiar to folks who’ve played a lot of RPGs.
There are a lot of threats out in the world, and you guard against them. Exactly what you consider a threat, and who or what you are protecting from it might vary, but the most important thing is you are not going to stand idly by when you could act.
Your quality is devotion to those under your protection and to your ideals, no matter what challenges lie in your path. Your downfall is recklessness when it comes to putting yourself (and others) in harm’s way to protect your charges.
Talent: Misdirection or Protect
Improvement: Health, Membership, or Reputation
So why am I going on like this? I want to make its purpose clear. Drive is a personality trait that always answers the question: “Why are you getting involved?” Always. Because in Modern AGE, character creation assumes the question, “Are you getting involved?” is always answered in the affirmative. This is a subtle but important difference from games where the GM is supposed to sell you something, and games where the facts of the world (“I’m in the Secret Service,” or “They killed my master and I want revenge?”) dictate involvement. Drive is a personality trait which explains why your character is emotionally invested in the story.
Is this rhetorical sleight of hand? Absolutely. But it has a fine pedigree. Drive has a precedent in improv, where performers are urged not to block ideas that come out of the on-stage, brainstorming-while-acting process. So, when you crack the book open and pick a Drive, keep in mind that this isn’t a general blueprint of your attitude as much as the part of you that compels your commitment.
Drives are emotional, not factual, for a simple reason: Campaigns feature ever-changing conditions. Modern AGE also tells you to write down character Goals. Goals transform over time, but your Drive usually doesn’t. (Here’s an optional rule: If you want to change your Drive later, that’s fine, but you don’t get the benefits that come at character creation, except for how your new Drive affects Conviction, if you use it.)
Drive is primarily a way for you to develop your character’s emotional connection to the story. We can map it as a Mad Lib, as follows:
My inclination to be a [DRIVE] makes me want to get involved with [SITUATION] because [MOTIVATION], so I’ll [ACTION].
[DRIVE] is the Drive trait on your sheet.
[SITUATION] is what’s happening in the story.
[MOTIVATION] is an account of how your feelings about the situation inform your actions.
[ACTION] is what you will do.
To demonstrate how this works, I’m going to take the sample Drive, Protector, and hit the “Situation” random generator button at http://writingexercises.co.uk/plotgenerator.php. I get
A political demonstration turns into chaos.
My inclination to be a Protector makes me want to get involved with a political demonstration which has turned into chaos because I’m afraid of my friends getting hurt, so I’ll find them and lead them to safety.
In this model, a character goal is a situation that’s always happening—at least until you completely accomplish it.
Breaking this down makes it seem more complicated than it really is. The process is intuitive. As long as you exclude blocking the situation (by refusing to deal with it in an interesting fashion) it comes down to: “This is how my emotions push me to deal with what’s ahead.”
Drive is really a principle with an incidental game mechanic, adaptable to pretty much any game. It’s an attitude shift where getting into the story is your character’s premise, not their problem. In a fantasy game, instead of saying, “As a True Neutral character, I don’t care about this battle between good and evil,” say “As a True Neutral character, I need to accompany my friends to this struggle between the Moral Powers to test the strength of my convictions. Can I maintain detachment amidst all this struggle and suffering?”
Awkward Segue to Factual Update!
So, what’s going on with Modern AGE? The Basic Rulebook text is going through the production cycle right now. Its first setting, Lazarus (based on Greg Rucka’s comic of the same name, developed for Modern AGE by Crystal Frasier) has also entered production. The text for two small pieces of support for the game (to be announced) are also finished, and first drafts of an upcoming book are coming in.
I can’t wait to share it all with you. I’m driven—and I’ll say more about it all another time.
It seems like just yesterday I was wondering if this Y2K bug would indeed wreak global havoc (spoiler alert: it didn’t) while working on plans to start a new game company. Now here we are 18 years later and Green Ronin is still going strong. Although last year was challenging in many ways, we are starting 2018 in a great position. We have a bunch of projects nearing completion, fantastic new games in the works, and great prospects for the future. Today I’m going to talk about our plans for the next six months. I’ll then do another one of these in June to discuss the second half of the year.
Our biggest project this year is The Expanse RPG. We announced that we’d licensed James S.A. Corey’s terrific series of scifi novels last year and since then Steve Kenson has
been leading the team designing the core rulebook. In a few months we will be Kickstarting The Expanse RPG and the rules will actually be done before we even start the crowdfunding campaign. The game uses our popular Adventure Game Engine, as previously seen in our Dragon Age, Fantasy AGE, and Blue Rose RPGs. We’re excited to take AGE into the future! The Expanse RPG will release in August, debuting at GenCon.
Modern AGE and Lazarus
Want a new AGE game before the summertime? We’ve got you covered! Modern AGE launches in the Spring thanks to the hard work of Malcolm Sheppard and his team. The game lets you run games anywhere from the Industrial Revolution to the near future, with or without supernatural powers as you prefer. Concurrent with that we’ll be releasing the World of Lazarus, a campaign setting based on the amazing Lazarus comic by Greg Rucka and Michael Lark. Its compelling setting provides some timely commentary on current political trends and is a great place to tell stories.
Fantasy AGE and Dragon Age fans will be delighted to hear that two long awaited books are nearing release. Jack Norris and his team have finished the Fantasy AGE Companion and Faces of Thedas and both are now in layout. The Fantasy AGE Companion is the first big rules expansion for FAGE, offering up many ways to expand your game. Faces of Thedas brings a plethora of Dragon Age characters from the video games, novels, and comics to life, and adds some great new rules for relationships and romance. Speaking of romance and fantasy, Joe Carriker and his team have been working on the next book for our Blue Rose RPG. Aldis: City of the Blue Rose is a comprehensive sourcebook about the capital of the Kingdom of Aldis.
Mutants & Masterminds
We are kicking off 2018 with a bang with the release of the new edition of Freedom City, the signature setting of M&M since the game’s first edition. It releases to stores this week so now is the time to check out the city that started it all. Later in the Spring we’ll be releasing Rogues Gallery, a new collection of villains for your campaign. Crystal Frasier skillfully shepherded both of the books to completion, though they were begun by her predecessor. The first book she led from start to finish was actually the World of Lazarus but you’ll be seeing more of her vision of Mutants & Masterminds later in the year with the Basic Hero’s Handbook and Superteam Handbook.
Last year we hired Jaym Gates to start a fiction line for us, and this year her diligent work will pay off as Nisaba Press takes off. We will be releasing short fiction from our various settings monthly, and releasing two novels a year. The first will be Shadowtide, a Blue Rose novel by Joe Carriker. We’ll be following that up later in the year with our first Mutants & Masterminds novel.
Freeport and Ork
At the start of this article I mentioned the beginnings of Green Ronin back in 2000. The company’s very first releases were Ork! The Roleplaying Game and Death in Freeport, a modest adventure that launched our longest running property. The new edition of Ork is finished and entering layout. It’s great beer and pretzels fun. Return to Freeport is a six-part Pathfinder adventure coming later in the Spring in which Owen K.C. Stephens and his team really captured the feel of the City of Adventure.
SIFRP and Chronicle System
All good things must come to an end and such is the case with our beloved Song of Ice and Fire Roleplaying. Our license expired in 2017 so there will be no new material forthcoming. We can continue to sell the books we’ve already released, however, so those will remain available to those who want to adventure in Westeros. Our series of compatible Chronicle System PDFs will also continue, first with Desert Threats, a new collection of creatures. Some of the rules material from our last planned SIFRP book, the Westeros Player’s Companion, will be released under the Chronicle System brand with the Westeros specific content removed.
To the Future!
As you can see, we’ve got an action packed six months ahead of us. Later in the year we’ve got excitement like the Sentinels of Earth-Prime card game and the Lost Citadel campaign setting for D&D 5E. Thanks for your continued support! We really do appreciate it. Here’s to some great gaming in 2018!
As you probably know, Hurricane Maria devastated Puerto Rico and the Virgin Islands. This month’s Charitable Giving Initiative sale is in support of Hurricane Maria relief efforts. For a limited time, Fantasy AGE Basic Rulebook and Fantasy AGE Bestiary are 10% off, in both print and PDF formats in our online store, and when you partake we’ll donate 20% of the sale proceeds to Hurricane Maria Community Relief & Recovery Fund.
Hello and welcome to Walking the Royal Road, what I hope to be an ongoing series on using the Tarot (or Royal Road, in Aldean parlance) in Blue Rose AGE games.
The Tarot has been used in roleplaying games for quite a long time, in a variety of contexts, and with good reason. Reading and deciphering the Tarot is less a matter of divination as it is storytelling—each card carries an intrinsic meaning (and sometimes a second meaning when the card appears inverted) that can serve as a building block for a larger narrative. When multiple cards are laid out, with each card position also having a meaning, it is possible to use them to build a small story of some kind, through the language of symbolism and the very human act of pulling disparate elements into a larger narrative.
The Blue Rose AGE core book already suggests a use of the Royal Road: in the establishment of a character’s Calling, Destiny, and Fate. There are also some suggestions for using tarot in Chapter Ten (p. 313, in the section “Walking the Royal Road,” where the title for this series comes from). This series of articles is going to suggest some additional uses for them.
The cards we use in these articles are the Shadowscapes Tarot, with art by the amazing Stephanie Pui-Mun Law, whose art has graced the covers of Blue Rose books throughout the game’s history.
Friends & Loved Ones
Today’s article is going to offer some additional character building. Romantic fantasy, as a genre, focuses not just on magic and feats of derring-do, but also the relationships formed by the characters. Characters do amazing things for love, for friendship, and for hate, and these kinds of motivators should always play into games of romantic fantasy, to some degree.
In order to have these kinds of motivations, though, player characters need some relationships in place. This system is intended to augment the Relationships mechanics, as found on p. 60 of the Blue Rose core rulebook. Where that system helps define how strongly heroes feel about other characters, this one will help with the brainstorming of figuring out who they are.
The spread for this method is a simple three-card spread for each character.
The Role Card indicates in what capacity the PC knows the character in question. Take a look at the suit (pentacles, cups, wands, swords, or Major Arcana).
- Pentacles: The person is someone you know in a professional capacity.
- Cups: The person is someone who know familially, either a member of your family, or someone you met through a family member.
- Wands: The person is someone you met in a social capacity, at a party or festival, tavern or theater.
- Swords: The person is someone you know from a training or learning endeavor: a fellow apprentice, or someone you met in schooling of some kind.
- Major Arcana: You met this person in some extraordinary capacity. Use the card itself as an inspiration: perhaps you met the Chariot while traveling, or you met the Tower during a terrible disaster of some kind.
The Personality Card indicates what this person is like. Use the tables for Calling, Destiny, and Fate in the Blue Rose core rulebook as a starting place. Note that this card does not indicate this character’s Calling, Destiny, or Fate—it’s simply what their outward-facing personality is like. There are always depths beneath this surface.
The Relationship Card indicates what your relationship with this person is like. The meaning of the card should be applied to this in some capacity. A Six of Wands suggests recognition of success, so perhaps this person looks up to you for your heroism; in contrast, the Page of Swords is about having enthusiasm but needing more information, so this card in the Relationship space suggests that the person looks to you as a source of information, or is themselves such a source for you.
In the image, we have laid out some cards in the Friends & Loved Ones Spread.
Role: The Magician. We know this person because of magic, clearly. They might be an adept of some kind, or if we’re playing an adept or other talented character, perhaps we aided them with our own arcane arts.
Personality: The Star. Consulting the Callings table on p. 57 of Blue Rose, we see that this card represents “Artistic Mastery.” This character seems to be an artist to everyone they know, and not just a dabbler, either, but someone who really works to master their craft and achieve their vision.
Relationship: Seven of Wands. One of the typical meanings for the Seven of Wands is both aggression and defiance. In the Relationships space, this suggest someone whose closeness to the player character is either defiance—or, it’s someone who maintains the relationship out of defiance.
Here is just one example of a Narrator character generated using the spread above. It’s far from the only one, to say nothing of the variety possible from other card results entirely!
Godia Tulry: The Wishful Scrivener. We met Godia in the way she tends to meet new people—when she barged right up to us to ask us about our experiences and theories about the arcane. The other adepts roll their eyes and make themselves scarce when she shows up, because she’ll take up every bit of your time, if you let her. Despite their warnings, though, we find her delightful. She’s a dedicated magical chronicler, and we’re good enough friends that she has shyly confided that she wants more than anything to wield magic herself some day, but she just doesn’t have the Talent for it. Still, she is very sweet, loves when we use magic around her, and whipcrack sharp when it comes to arcane theory and history.
In the above example, magic is at the center of the friendship between Godia and the player’s character, per the Role card showing the Magician. Her insistent personality around her craft we derive from the Personality card showing the Star, and we’ve interpreted the defiance in the relationship, per the Relationship card showing the Seven of Wands, as coming from others who don’t understand the friendship.
The Adventure Gaming Engine (AGE System) edition of Blue Rose: The Roleplaying Game of Romantic Fantasy is now in the hands of backers of the Kickstarter and available through distribution in fine game stores everywhere. As readers digest the contents of that sizable book, those looking to run a new Blue Rose game of their own need only one additional resource: Adventures! The Blue Rose book provides a sample adventure (“The Shadows of Tanglewood” by Steven Jones) and a wealth of adventure hooks and ideas, but for an ongoing series, Narrators are going to want additional adventure resources. Fortunately, we’ve anticipated their needs.
The new Six of Swords adventure anthology offers a set of six adventures for Blue Rose, complete stories including important characters, setting information, and all of the material a Narrator needs to run them.
- The Mistress of Gloamhale Manor pits the heroes against the ghostly inhabitants of a haunted mansion in a search for the truth.
- The Sixth Beast offers an opportunity to prevent war between factions in an outlying region of Aldis.
- The Night Market sends the envoys into the dark depths of the Veran Marsh and the heart of the criminal underworld to recover a valuable arcane artifact.
- A Harvest of Masks begins with mysterious abductions from Aldin villages near the wilderness of the Pavin Weald. Who are the masked abductors and what do they want?
- Storms Over Kamala finds the heroes out on the wild Plains of Rezea to challenge the forces that have claimed a witch’s ancient homeland.
- A Wanton Curse is set at a high society masked ball in a castle on Gravihain Eve, the Aldin equivalent of Halloween. What dark secrets are some of the guests concealing?
Most of the adventures are pitched toward low-level heroes, working from 1st level up through the upper low levels. The last couple adventures are intended for mid- and high-level heroes, both for Narrators who want to start out with a higher level game, and to offer examples of such adventures for a series as it grows and develops. Each adventure should be good for multiple sessions of game play, and most feature mysteries and character interaction alongside action and combat encounters.
The adventures cover a wide range of locations and styles, from the depths of the Veran Marsh to the open grasslands of the Plains of Rezea and the deep woodlands of northern Aldis. Adversaries range from criminal syndicates to corrupt sorcerers, vengeful spirits, and terrible unliving creatures like vampires.
We think this format provides a nice combination of adventures usable right out of the book and varied locations and plots. If Six of Swords does well, it may be a model for future Blue Rose adventure collections. We’re looking forward to offering other adventures and source material for the Romantic Fantasy role playing game and the fantastic world of Aldea.
We are pleased and humbled to be nominated for eight ENnie Awards this year. We’ve included a list of our nominations at the bottom of this post.
In our excitement about the ENnies we placed several products on sale in our Green Ronin Online Store. Please check out our 2017 ENnie Awards Sale.
Our nominations are for:
- Best Adventure:
- Dragon’s Hoard
- Best Art, Cover:
- Blue Rose: The AGE RPG of Romantic Fantasy
- Best Monster/Adversary:
- Atlas of Earth-Prime
- Fantasy AGE Bestiary
- Best RPG Related Product:
- Cinema and Sorcery: The Comprehensive Guide to Fantasy Film
- Best Setting:
- Atlas of Earth-Prime
- Best Supplement:
- Cosmic Handbook
- Product of the Year:
- Atlas of Earth-Prime
As always, sincere congratulations to our fellow nominees, and thank you to all who worked on these products, all who vote, and everyone else we may have forgotten to list.
The clock is counting down on Kickstarter for The Lost Citadel — Post-Apocalyptic Fantasy Roleplaying. Thanks to our amazing backers, we fully funded in 24 hours, and have been knocking down stretch goal after stretch goal.
We have opened up pre-ordering for Six of Swords, an adventure anthology for Blue Rose: The AGE RPG of Romantic Fantasy. Pre-order the physical book through our Green Ronin Online Store, and we’ll offer you the PDF version for just $5 during checkout.
If you’d rather support your local retailer, you can ask them to sign up for our GR Pre-Order Plus program. When you pre-order through a participating brick-and-mortar retailer, they will give you a coupon code so you can get the PDF from us for just $5.
Six of Swords is an adventure anthology for Blue Rose. Set in the fantastic world of Aldea, these six adventures provide Narrators with ready-to-go scenarios for characters of various levels. They include ruined mansions, masquerade balls, vampiric curses, mysterious masks, sorcerous secrets, ghostly hauntings, lost loves, looming threats, and tragic quests where heroes are called upon to make the right choices. Six of Swords has hours of adventure, excitement, and entertainment for your Blue Rose game. The Kingdom of the Blue Rose needs heroes. Will you answer the call?